Native OK 6/14 Weekly Newsletter

 

main-pic
Gold Strike is located on the Mississippi River in Tunica, approximately 30 minutes from downtown Memphis
Cherokee Nation Businesses reaches agreement to purchase operations of Gold Strike Tunica


TULSA, Okla. – Cherokee Nation Entertainment Gaming Holdings, LLC, a subsidiary of Cherokee Nation Businesses, today announced it has reached an agreement with MGM Resorts International (NYSE: MGM) to purchase the operations of Gold Strike Tunica for $450 million in cash, subject to customary adjustments. The purchase price represents an EBITDA multiple of approximately six times, based on 2021 Adjusted Property EDITBAR of $115 million. CNE Gaming Holdings, LLC, will enter into a long-term lease agreement with VICI Properties Inc. (NYSE: VICI), the Gold Strike property owner.
“Cherokee Nation Entertainment has a rich history of operating award-winning hospitality destinations in Oklahoma, and we are proud to continue our growth in gaming and bring the level of excellence we are known for to the Tunica area,” said Mark Fulton, president of Cherokee Nation Entertainment (CNE). “We are excited for the team at Gold Strike Tunica to join the CNE family.”
Gold Strike is located on the Mississippi River in Tunica, approximately 30 minutes from downtown Memphis. The property features a 32-story hotel tower that has become one of the most recognizable buildings in Tunica. Gold Strike features more than 1,100 oversized luxury guest rooms including 125 suites; the 50,000-square-foot casino includes a sportsbook; high-limit gaming area; conference and convention center; and award-winning dining options.
“We look forward to expanding our gaming and hospitality businesses as we execute on our strategic plan to grow our footprint outside of the Cherokee Nation Reservation,” said Chuck Garrett, chief executive officer of Cherokee Nation Businesses. “This acquisition will enable us to better serve our mission of growing Cherokee Nation’s economy while also having a significant positive impact on the local economies we serve.”
The transaction is subject to regulatory approvals and other customary closing conditions.
CBRE Securities served as exclusive strategic and financial advisor to Cherokee Nation Businesses in connection with the transaction. Latham Watkins, along with Scale LLP, served as legal advisors and Jones Walker served as special gaming counsel.

Autumn and Raini Deerinwater will model these outfits, designed by Sheila Tucker, in late June or early July on a billboard in New York City's Time Square.
Muscogee twins from Sapulpa to appear on Times Square billboard modeling Indigenous fashion


From exhibits and a model at the Met Gala to beaders and designers at Paris Fashion Week, 2022 has so far been a historic year for Indigenous fashion.
That momentum will soon propel two Muscogee twins from Sapulpa, Autumn and Raini Deerinwater, to be the faces of Indigenous Americans for millions of people on a Times Square billboard as they model clothes and accessories made by First Nations designer Sheila Tucker.
The New York City billboard is the latest of many places Tucker’s work has been featured, including Harper’s Bazaar UK, Elle Magazine Italy, and New York and Paris fashion weeks.
Tucker said the billboard is set to go up in Times Square in late June or early July.
“It’s an unreal feeling,” Autumn Deerinwater said the afternoon after the women did their first photo shoot for the billboard. “(The feeling) just stays with me, and I can’t believe it’s actually working out the way it is.”
She had just moved to Arizona, where Tucker is based, in October 2021 when she began modeling for Tucker’s brand regularly.
The Deerinwaters’ father is one of Tucker’s biggest collectors, so their collaboration on her brand came naturally, Tucker said.
After a few months working with Autumn, a publicist team that owns several Times Square billboards contacted Tucker, an Ojibwe Native from the Yellowquill First Nation of Saskatchewan, Canada, about showcasing her work.
It was a dream come true she’d thought about only a week before the offer came in.
Tucker and her children were on a road trip up the West Coast when she first thought about having her work on a billboard.
“You see all these billboards lining the road, and I told my son it’d be cool if I could have a billboard someday,” Tucker said. “It happened so soon after that, and I thought, ‘It was meant to be.’ I was completely floored by it.”
Once she said yes to the billboard, she had to figure out who would model her work, and Autumn Deerinwater was an obvious choice.
An Indigenous model as the face of an Indigenous brand. What could be better?
“Autumn just had that look,” Tucker said. “The beauty is all there, and so natural. I didn’t even know she had a twin sister, so when I found out about (Raini), I said, ‘Oh, my god. we have to do both of you in this shoot. This is going to be great.’”
When Raini Deerinwater first got the call from her sister about the opportunity to model Tucker’s designs, she couldn’t believe she would be going from her normal job to modeling for photos that would be seen by millions of people.
“I go to work every day, 8-to-5,” she said. “It didn’t hit me yet until the morning we did our first shoot. I had seen some of (Tucker’s) media tags from Paris Fashion Week, and I think that’s when it hit me. This is huge.”
The Deerinwater sisters, who also have Navajo heritage, are 2016 graduates of Sapulpa High School, and for them, this opportunity was the perfect way to express their Oklahoma and Native American pride.
“It’s more than just a picture in Times Square,” Raini Deerinwater said. “It’s representing Native American women for a Native American brand. We’re hard-working Native American women, and I want to represent more hard-working Native American women.”
More than 300,000 people on average pass through Times Square daily, many of them international tourists, so the billboard can open doors for people to learn about Native American and First Nations history.
Tucker, a survivor of and descendant of survivors of Canadian residential schools, said much of her work is inspired by her grandmothers’ beadwork, and she said symbolism representing residential schools’ painful legacy is imbued within each piece.
“Both my parents are residential school survivors; I’m a residential school survivor,” Tucker said. “I lived that aftermath, and I’m now breaking that chain of what every other Native American has lived through. The story of survival is within each one of us.”
The rise in Indigenous fashion in mainstream fashion — namely Oglala Lakota and Han Gwich’in model Quannah Chasinghorse‘s attendance at the 2021 and 2022 Met Galas wearing accessories made by other Indigenous designers — proves to Tucker and the Deerinwaters that Native American expression through fashion is sending many messages to the world.
“Being able to express ourselves through fashion is very telling of the healing process we’ve begun,” Tucker said. “There’s one handbag I made that went to Paris (Fashion Week). It’s a little girl with a horse. To me that represented a lot because it represents the little girl, the child in everyone that lived through the traumas we’ve been though. We’ve healed through finding our ways again.”
For Autumn Deerinwater, Chasinghorse’s Met Gala appearances show that Indigenous representation is growing and that she and her sister are only helping that representation.
Her message to other Oklahomans who have big dreams: You can do it.
“You have that thing that makes you special, and that’s what separates you from other people,” she said. “There’s no limitations to anything you can do. After I saw (Chasinghorse) at the Met Gala, that’s when I thought, ‘It’s possible.’ And us being (from Oklahoma) and doing this billboard, other young people can see this opportunity for local people and think it’s possible for them, as well.”
Kaylea Arnett, a decorated diver, is a performer in the prestigious Cirque du Soleil “O” production at the Bellagio in Las Vegas. Photo provided.
O! What a Life! 

Chickasaw, former Oklahoma diver living dream starring in Las Vegas production 

LAS VEGAS — Plunging 60 feet from a platform into an aqua abyss, a Chickasaw athlete is simultaneously living her dreams and reaping the rewards of decades of sacrifice, hard work and dedication.
Kaylea Arnett, a decorated diver, is a performer in the prestigious Cirque du Soleil “O” production at the Bellagio.
The water-themed stage production features world-class acrobats, synchronized swimmers, divers and characters who perform in and above a 1.5 million gallon pool of water. The show’s name, “O,” is taken from the French word for water “eau.”
“In Cirque du Soleil, I am a high diver, diving off 60-foot towers (mounted) from the ceiling into the water. It is a big job, and it is one of the most prestigious shows in the world. I feel very lucky to be here,” Arnett said.
Luck, it seems, gets too much credit. Arnett has spent decades disregarding gravity and artfully contorting herself midair from diving platforms.
She began diving in 2001, dedicating about eight hours a day to training, initially near her home in Newcastle, Oklahoma, at the U.S. Diving Regional Training Center at Oklahoma City Community College. When the training center closed, the Arnett family moved to Spring, Texas, so she could continue her pursuit.
Perfecting her skills, Arnett garnered a slew of awards, including a diving scholarship to Virginia Tech.
As a 10-year-old, she was the youngest diver to qualify for the U.S. team and competed at the Junior Pan American Games in Brazil, earning a bronze medal.
Through the years, Arnett earned gold medals at the USA Diving National Championships as well as numerous other events. She also qualified for the 2012 Olympic diving trials.
At Virginia Tech, she was twice named Atlantic Coast Conference (ACC) Women’s Diver of the Year and earned ACC Most Valuable Diver Award three times. 
She also earned a major in philosophy and a minor in Japanese.
As college graduation neared and thoughts of retiring from diving surfaced, panic set in.
“That was kind of a fork in the road moment for me in college. Everybody retires after school, goes on to real life, and I didn’t want any part of that. I was not ready to let go of diving,” Arnett said.
Friends reminded her of the plethora of options available with entertainment companies, such as cruise lines, amusement parks and productions such as Cirque du Soleil, which solidified her resolve to keep diving.
She compiled a video reel and shared it far and wide.
An opportunity emerged with a Cirque du Soleil show in Macao, China, where she performed with the production for about five years.
“I was doing Russian swing (a device used to make high acrobatic jumps) and high dives. I was dancing on chandeliers, doing all kinds of bizarre things.”
Then the pandemic hit, shuttering entertainment venues and productions across the world.
About a year later, “O” called, offering an audition.
“The rest is history,” she said.
Performing in “O” is a full-circle moment for Arnett.
“When I was very little, my coach used to show us videos of ‘O,’” she said, adding he would also bring elaborate costumes he found at Goodwill to practice and challenge his students to dive through fog while wearing them.
“I think he was secretly prepping me for this,” she laughed.
Arnett loves her job and the creativity it inspires.
“Cirque du Soleil allows for more artistry. Diving is very technical and score-based. Being able to turn it into an art, it’s a great experience. I’m trying new dives that aren’t even on the book and the audience is loving it.
“When I do dives I can hear them screaming, and I’m like, ‘OK, they like that dive, I’m going to keep that dive.’ Being able to try new and fun things is outstanding.”
Audience engagement is one of her favorite parts of performing.
“When I am not diving, I am doing side cues, such as little small characters. I often find times to connect with the audience during these moments,” Arnett said. “You can see the eyes, especially of the kids. You can see the amazement. I hope that I’m making a big difference in these kids’ lives, or anybody that’s watching the show.”
Although a seasoned pro, she admits to occasionally feeling anxious while waiting for her cue on the towering platform, but once she takes the first step, her training takes over.
“There is always fear,” she laughed, holding up an index finger to emphasize the point.
“It’s just a matter of harnessing it.
“I have 20 years of experience, so I kind of know how to fly through the air, but the worst part is standing up there. That’s when all the doubts creep in. You’re thinking, ‘Oh no, what if I forget how to dive,’ and as soon as you leave the platform, you know what to do. Your body knows what to do. You have to have full trust in yourself, even though there is fear.”
Overcoming fears and forging ahead are two traits Arnett learned from decades of training and her late Chickasaw mother, Terrie, who died two years ago following a courageous battle with cancer.
“I just want to give a huge thanks to the Chickasaw Nation and my Chickasaw family, because they helped us out a lot during those cancer treatments. It was obviously very hard, but they helped us a lot.”
Just Keep Going
Her mother’s legacy of never giving up on dreams is ingrained in Arnett’s life.
“The biggest thing I learned from my mom is that time doesn’t stop. No matter what happens to you, you have to get up and keep going. I’ve always used that. It’s been the biggest life lesson she ever taught me. You just got to keep going, laugh, no matter what adversities come, just keep getting up.’”
Adversity in life, and in diving, is a constant, she said.
“There’s always going to be a struggle, walls you’re going to hit, holes you fall into, but it’s up to you to find your way out of these holes. To find your way around these adversities, to keep pushing forward, because if it is something that you love, and if it’s something that you feel like you need, then you have to keep going.
“Even in the darkest times, even in the hardest times, you have to know there is light at the end of the tunnel. There will be the rewards for all the sacrifices that you’ve made.”
Arnett recognizes her entire family contributed to her success.
“There were a lot of sacrifices along the way. I was (always) training my whole life. It feels like now, I’m reaping what I’ve sown, finally.
 “There were times I wanted to quit, for sure. But pushing through those hard times really makes it worth it now, because this is amazing and I wouldn’t have chosen any other path,” she said.
Cirque du Soleil “O” is presented twice a day, five days a week, or 10 shows a week. The performance has about 70 artists and 60-70 technicians.
For more information, visit CirqueduSoleil.com/O.

Wilma Mankiller daughters, Gina Olaya (left) and Felicia Olaya (right) pose with a shadowbox from the United States Mint featuring the new Mankiller Quarter.
National Women’s History Museum Celebrates the Legacy of Wilma Mankiller
With Documentary Screening
 
Washington, DC (June 13, 2022) – On Friday, June 10, to coincide with the release of the Wilma Mankiller Quarter, the National Women’s History Museum (NWHM), in partnership with DC Pulic Library and with support from the United States Mint (Mint), screened the documentary Mankiller at the Martin Luther King Jr. Memorial Library located in the heart of downtown Washington, DC.
 
The film explores and honors the life and legacy of Wilma Mankiller, the first female Principal Chief of the Cherokee Nation and an activist for Native American and women’s rights.
 
Following the screening, the film’s director and producer, Valerie Red-Horse Mohl participated in a panel discussion with NWHM Board Member Mary Smith, the first woman Native American president-elect nominee of the American Bar Association, and Michele Thompson, Mint program lead for the American Women Quarters™️ Program. The National Women’s History Museum is a consultant to Mint for the American Women Quarters Program. The Wilma Mankiller quarter is the third coin in the program and was released on June 6, 2022.
 
“In the film, Wilma Mankiller said that she’s focusing on economic development, but not in a vacuum – there's education, and there's mental health and wellness,” said Red-Horse. “Wilma also talked about not being afraid of change and that we need change. I think her message is so relevant right now. It's something that we should really carry forward with us.”
 
“Wilma Mankiller created economic opportunity for the Cherokee Nation and this new quarter will ensure that her message of economic opportunity will carry on,” said Smith.
 
“Wilma Mankiller was the first woman elected chief of the Cherokee Nation. Mankiller’s administration revitalized the Cherokee Nation through extensive community development, including improvements to health care and education. The depth and breadth of her accomplishments are powerful and inspiring, and embody the essence of the American Women Quarters Program,” said Thompson.
 
Photos from the event are available here. Including photos of Wilma’s family (Gina Olaya, Felicia Olaya, and Kellen Quinton) being presented with a shadowbox to celebrate the quarter.
 
To speak with a representative from the National Women’s History Museum, please contact Jeannette O’Connor atpress@womenshistory.org.

Comments

Popular posts from this blog

Native OK 1/4 Weekly Newsletter

Native OK 2/22 Weekly Newsletter