Native OK 5/10 Weekly Newsletter

 

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Gov. Kevin Stitt vetoed a bill meant to increase coordination between tribal judicial agencies and the state.. (KTUL photo)
'A wolf in sheep's clothing': Oklahoma Gov. Stitt vetoes State-tribal judicial bill


OKLAHOMA CITY (KOKH) — Gov. Kevin Stitt vetoed a bill meant to increase coordination between tribal judicial agencies and the State.
Stitt criticized the bill in his veto letter, calling it a "wolf in sheep's clothing."
“While Enrolled House Bill 3501 was passed under the guise of public safety, this bill is a wolf in sheep's clothing,” Stitt said. “It would essentially require the State to carry out tribal court adjudications, no questions asked. Specifically, it would bind the Department of Public Safety (DPS), a State agency, to recognize and act upon reports of conviction submitted by courts of any federally recognized Indian tribe located anywhere in the State of Oklahoma in the same manner it acts upon reports of conviction from State and municipal courts.
Choctaw Nation of Oklahoma Chief Gary Batton said the decision does nothing but hurt public safety:
“Once again, Gov. Stitt has chosen division and his personal political ambitions over doing what is best for Oklahoma,” Batton said. “Tribal courts and law enforcement agencies have a long history of cooperation with state and local governments, including 75 cross-deputization agreements between the Choctaw Nation and other governments. HB 3501 strengthens those relationships by requiring the state Department of Public Safety to recognize convictions for traffic offenses in tribal courts. Under this bill, drivers who violate the law and put others in jeopardy will be kept off the road.”
Batton added, “The governor’s petty decision to block enhanced coordination between criminal justice systems does nothing but hurt public safety.”
He also encouraged state lawmakers to override the veto.
“This measure almost unanimously passed the House and Senate, with 96 percent of Oklahoma legislators’ approval. It has strong bipartisan support,” Batton said. “We urge the Legislature to do what’s right for the people of Oklahoma and override this veto.”
Stitt said he invites tribal leaders to work with him on another solution.
“As I have done before, I again invite tribal and other leaders and partners to work with me toward reasonable solutions rather than engaging in aggressive efforts to strip the State of its established authority to prosecute, tax, and regulate all 4 million Oklahomans, regardless of race, background, or affiliation otherwise," he said.
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Muscogee Nation To File Federal Lawsuit Over Taxes

The Muscogee (Creek) Nation plans to file a federal lawsuit challenging tax laws in Oklahoma. The tribe said because of the Supreme Court's McGirt ruling, the state can’t collect taxes from tribal members who live and work on the tribe's land.
Tribal leaders said the commission should apply Indian country tax exemptions to their entire reservation, which includes part of Tulsa.
Governor Kevin Stitt sees it differently. "I've seen this coming,” said Stitt. “I've been predicting this. I've been warning Oklahomans that this could very easily move into civil or taxation and I've proven to be correct."
News on 6 caught up with the Governor in Tulsa Friday afternoon. Stitt said McGirt only applies to the major crimes act, not civil matters.
He said tribal members, who live in Tulsa and surrounding areas, still use the same roads, public schools and services as everyone else.
“It is un-American to think about one punishment or one set of rules for one race and everybody else pays a different set of rules,” said Stitt. “I can't believe as Governor I have to talk about that. We want equal protection under the law. It doesn't matter who you are, what race."
The tax commission estimates the state would lose about $72,000,000 if tribal members in eastern Oklahoma stopped paying taxes. Stitt worries it could be even higher.
"If they win this lawsuit…it's going to open the flood gates,” said Stitt. “I'm just so afraid of what the future of eastern Oklahoma would look like if we started having different sets of rules based on your race."
The Muscogee (Creek) Nation sent News On 6 a statement: "The Muscogee (Creek) Nation has authorized its Attorney General to file a lawsuit in Federal Court to address the Oklahoma Tax Commission’s refusal to follow a decades-old law that provides for MCN citizens who live and earn income from sources within the Reservation to claim an income-tax exemption. It shouldn't require a Federal Court case for the State to respect the law, but the Nation is committed to defending the rights of its citizens by ensuring the State complies with the law."
"The Seminole Oil Boom," a painting commissioned by former Rep. Weldon Watson and his wife Cheryle, is unveiled on the House floor May 4. 
House Previews 'Seminole Oil Boom' Painting
 
OKLAHOMA CITY – The Oklahoma House of Representatives on Wednesday was presented by the Oklahoma Arts Council with a preview of "The Seminole Oil Boom," a new painting offered for consideration for the Oklahoma State Capitol Art Collection by former Rep. Weldon Watson and his wife Cheryle. Watson represented House District 79 in Tulsa as a Republican from 2006 to 2018 when he was term limited. 
 
House Speaker Charles McCall, R-Atoka, welcomed the presentation of the painting during an afternoon legislative session and thanked the Watsons for their generosity. 
 
"Our Capitol building at one time was completely devoid of art," McCall said. "Over time, our State Capitol has become the State Capitol with the greatest art collection in the nation."
 
McCall said the collection is in large part because of the efforts of the late Representative and Senator Charles Ford who helped establish such gifts. Ford, who passed away last year, is the uncle of Rep. Ross Ford, R-Broken Arrow.  
 
Watson, who spent 20 years at the Capitol, first as a reporter, then as a lobbyist and later as a lawmaker, said he and his wife were delighted to be back in the House chamber to present the painting. He said over the course of time, he's seen the building change considerably.
 
"I never enter this building without a sense of awe for what happens here," Watson said. "I'm so very grateful for the beautiful artwork, as the speaker mentioned, that has been added in recent years. I'm also proud to say that I was supportive as a member of the House of the funding for the renovation that has gone on here for the last several years." 
 
Watson said Charles Ford was a mentor to him, first as his state representative when Watson was in high school in Tulsa. Later, he was a state senator when Watson's two sons were in high school. Watson's sons were in the gallery during Wednesday's presentation. 
 
Watson said Sen. Ford encouraged him to be an advocate for the historic preservation of the Capitol, giving him the book "The Art Treasures of the Oklahoma State Capitol" in 2005. The book depicted all of the art in the Capitol at that time. Ford was a founder and great financial supporter of the State Senate Historical Preservation Fund, which helped finance much of the art available to be displayed at the Capitol. 
 
Watson also thanked Alan Atkinson, Director of Visual Arts and Capitol Collections with the Oklahoma Arts Council, who provided necessary guidance for how to proceed with commissioning the artwork. 
 
Atkinson introduced the Watsons to artist Mike Wimmer, who was born in Muskogee, OK, and who received his bachelor of fine arts from the University of Oklahoma. Wimmer has produced other art displayed in the Capitol. 
 
"He loves the state of Oklahoma every bit as much as I do," Watson said. 
 
Watson said he told Wimmer he and his wife wanted to focus on the oil booms of the 1920s, the decade when Oklahoma was the largest oil producing state in America. 
 
"Although there were oil booms prior to and afterward, it was the decade of the 1920s that made Oklahoma a major oil producing state," Watson said. 
 
He specifically chose to honor the Seminole oil boom – which started in 1923 and continued into the 1930s – because his grandfather, Lee Watson, had been a worker in that patch. Watson's father, Bud Watson, grew up in oil company camps in the area. 
 
"Dad said that as a boy he could read a newspaper at midnight on the porch of one of those company houses because of all the natural gas that was being flared off," Watson said. 
 
After relating stories about his dad and grandfather, Wimmer asked if Watson could provide photographs of the two. They are depicted in the painting – his grandfather in a brown jacket and his dad in a pair of overalls working on the platform of an oil derrick. 
  
"The Seminole boom was the last oil field to practice unbridled production prior to conservation reforms like proration and well-spacing," Watson said. 
 
He pointed out that in the painting there are a multitude of derricks in the background. He also noted the lack of safety equipment for the workers. 
 
Watson said the painting would not have been possible without the efforts of Dr. Bob Blackburn, who served as the executive director of the Oklahoma Historical Society from 1999 to 2021. He provided the artist with historic perspectives and photographs that made the project possible. He was recognized during Wednesday's presentation. 
 
Also in attendance was Trait Thompson, current executive director of the Oklahoma Historical Society and the former project manager for the Capitol Restoration Project. 
 
Watson also noted that among the 1920 oil booms was the one in Oklahoma City that started in 1928. The derrick in front of the Capitol was the Petunia No. 1 because it was drilled in a petunia patch. He said the derrick was still producing oil when he was at the Capitol as a reporter in the 1970s. Cheryle's grandparents lived south of the Capitol on Eighth Street. When Cheryle's mother passed away in the 1990s, she was still receiving a small royalty check from wells drilled in the neighborhood just a few blocks from the Capitol. 
 
"There are thousands of native Oklahomans, like Cheryle and I, who can identify with oil booms of the 1920s," Watson said.
 
"Cheryle and I are proud to say that through this piece of art future visitors to the Capitol, including those busloads of schoolchildren and native sons and daughters whose families were in the 1920s oil booms as well as other visitors, those visitors will have the opportunity to get a visual glimpse of how Oklahoma become a premier oil and gas state," Watson said. 
 
He expressed gratitude to Speaker McCall and House Majority Floor Leader Jon Echols, R-Oklahoma City, for allowing time for him to make the presentation as well as to the Oklahoma Arts Council for their help and support for this project. 
 
Amber Sharples, executive director of the Oklahoma Arts Council, said the group was honored to advise and partner on this project and promised to be good stewards to preserve this work for generations to come.  
 
Because of the Capitol Restoration Project, art was removed from the Capitol several years ago, but it will soon return. Plans are to begin replacing hundreds of pieces of art throughout the building in the coming months, Sharples said. The painting dedicated by the Watsons will be stored until it can be hung in the west hallway of the ground floor, she said. The hallway will feature pre- and early statehood events, industries and resources that have shaped the state, starting as early as the 1860s and extending into the 1940s. 
 
"We believe that this work will resonate with many Oklahomans with roots in the oil and gas industry, which remain today," Sharples said. "This painting helps to provide a more thorough experience and understanding deeply rooted in our strong ties to oil and gas, and we are grateful to add it to the collection." 
 
Sharples said the Arts Council will develop educational materials around hundreds of works of art, including this piece, and will start to design docent tours for students and visitors alike to have an illuminating experience in Oklahoma history as well as a better knowledge of art.
Chickasaw Nation Governor Bill Anoatubby and Chickasaw Nation Productions team members honored with two Western Heritage Awards April 9, include: from left, Josh Newby, Brad Clonch, Jason Alexander, Angela Owen, Robyn Elliott, Jeannie Barbour, Philip Sullivan, Governor Anoatubby, Shelly Miller, Travis Stanberry and Nicole Schultz. 
“Montford: The Chickasaw Rancher” honored with Western Heritage Awards

OKLAHOMA CITY – Chickasaw Productions’ feature film “Montford: The Chickasaw Rancher” was honored with two Western Heritage Awards from the National Cowboy and Western Heritage Museum. The awards were recently presented during the 61st annual Western Heritage Awards ceremony, April 9. 
The Western Heritage Awards ceremony honors those who have made significant contributions to Western heritage through creative works in literature, music, television and film that share the great stories of the American West. Winners receive a bronze Wrangler award.
“Montford: The Chickasaw Rancher” received a 2021 Western Heritage Award winner for Outstanding Television Feature Film and Outstanding Traditional Western Music Album.
Chickasaw Nation Governor Bill Anoatubby accepted both awards, saying it was a tremendous honor for the film to be recognized among so many esteemed and celebrated individuals and creative works. 
“Montford: The Chickasaw Rancher” explores Montford Johnson’s historic life as a Chickasaw rancher who overcame great hardships and tragedy to establish a vast ranching empire in Indian Territory along the famous cattle highway of the American West, the Chisholm Trail.
Chickasaw Nation Productions was established in 2009 as part of Governor Anoatubby’s vision to share the enduring legacy of the Chickasaw people and to illustrate how those individuals influenced the world around them.
“Montford Johnson was such an individual,” Governor Anoatubby said. “Throughout his life, he continually displayed the determination and fortitude to overcome challenges. He left a legacy that can still be felt in our state and our nation today. His life story mirrors the history of commitment and perseverance that has helped Chickasaws and Oklahomans thrive.”
“Montford: The Chickasaw Rancher” original soundtrack, by recording artist Ben McKenzie and composer Bryan Miller, received a 2021 Western Heritage Award for Outstanding Traditional Western Music Album.
The event also serves as the induction ceremony for the museum’s Hall of Great Westerners and Hall of Great Western Performers. Gerald Timmerman and the late Frank “Pistol Pete” Eaton were inducted into the Hall of Great Westerners. Actor Kurt Russell, his father the late Neil Oliver “Bing” Russell and the late Burt Reynolds were inducted into the museum’s Hall of Great Western Performers.
Moses Brings Plenty, a First American actor best known for his role as “Mo” on “Yellowstone,” served as the master of ceremonies at the event. 
“Montford: The Chickasaw Rancher” is available on Netflix, Amazon.com, and it can be purchased on DVD or Blu-ray at ChickasawPress.com or by visiting the Chickasaw Press at 1020 N. Mississippi Ave. in Ada, Oklahoma. 
For more information about Chickasaw Nation Productions, visit ChickasawFilms.com.

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